Iza Koczanowska – artist and researcher – Berlin / Amsterdam





31°34′50″N 130°39′29″E 


Arcus Research Residency
in progress



Pijałka
2026

Referencing traditional Polish spa drinking vessels used in sanatoria and mineral water resorts, the prototype reimagines the cup as a communal object with multiple spouts for multispecies use.

Designed around a shared source of mineral water, the object reflects on collective rituals of healing, regeneration, and care. It proposes the sanatorium not as a space organised around individual treatment, but as an environment inhabited by multiple bodies gathering around extracted natural resources.








































































Veillée
stay-up-late evening,
2026

M4 residency, Tetterode
Amsterdam

performance by Pita Kim
in collaboration with Martynas Nikitenka
with technical support from Łukasz Zuber 
 
Inspired by the rhythm of The Fall of the House of Usher by Edgar Allan Poe, Veille unfolds within a former type foundry as a composition of layered temporalities. Interior fragments hidden within the space, recorded sounds of the building, and narratives from long-term inhabitants are set in relation to the material agency of the space. Narratives are reinterpreted through AI prompts and Ouija-board interactions, producing continuous overlaps between past and present.

Typefaces once produced in the building are re-materialised and reconnected through a networked system of wires and responsive devices, reactivated as a communicating sonic medium.

An electrical installation with flickering lights responds to bodies within a field of deconstructed furniture structured around a central chimney, operating as a proto–smart home system. From the chimney, steam and condensation gather on windows, automated curtains rhythmically darken the space, and environmental responses modulate presence, while memory and technology co-construct a shifting temporal field.


*Veillée refers to the French tradition of evening gatherings where listening and storytelling turn the home into a space of dreaming.








2024 was the best year ever for the tourist sector on the Costa del Sol. Here are the figures: 14,47 million visitors – an increase of 3,17% over 2023.


















































Errancies, 2025
Visual and spatial research

🔗 Download the font .OTF file 

Conducted across several beaches on Spain’s Costa del Sol, the research examines how mass tourism reshapes movement along the coast. During the summer season, narrow corridors emerge between towels, umbrellas, and densely packed bodies, directing circulation and often obstructing access to the water. Through a series of walks, GPS traces record the detours and negotiations imposed by these overcrowded environments.

The recorded trajectories are translated into typographic characters, forming a font derived from fieldwork. Drawing on feminist geography and Rebecca Solnit’s writings on walking, the project approaches movement as a way of reading how tourist occupation is inscribed onto bodies, space, and the coastal landscape.

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Pearl play, 2026 
 

Participatory sculptural object

A found string of cultured pearls becomes the starting point for a game. Referencing the cultivation of pearls and their circulation through jewellery and tourist economies, the installation invites participants to move beads through a system of openings using swing-like structures.

Borrowing from the logic of hand-operated children's games, the work transforms extraction into a collective act of play. As pearls are guided, exchanged, and accumulated, the installation reflects on how value is produced, negotiated, and performed through participation, drawing connections between leisure, labour, and economic systems.



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