Current reseach:
Spatial asymmetries, extraction and regeneration
I research how bodies, matter, and environments co-exist within unstable territorial conditions. Through embodied field and material research, I construct speculative spatial situations examining relations between regeneration, overload, and uneven access to resources.
— Spatial asymmetries shaped through neo-colonial dependencies and Eastern European post-socialist conditions, examining how tourism, labour, and infrastructures of care produce uneven relations between bodies, landscapes, visibility, and access within sites of regeneration and natural extraction.
— Landscape extraction, conditions and asymmetries of ground: how mass tourism produces uneven access, visibility, and more-than-human relations within neo-colonial structures.
— Infrastructures of care (including Polish sanatoria), places where extraction and regeneration intersect, where preservation can be understood as a form of resistance to standardized capitalist approaches to natural resources.
Spatial asymmetries, extraction and regeneration
I research how bodies, matter, and environments co-exist within unstable territorial conditions. Through embodied field and material research, I construct speculative spatial situations examining relations between regeneration, overload, and uneven access to resources.
— Spatial asymmetries shaped through neo-colonial dependencies and Eastern European post-socialist conditions, examining how tourism, labour, and infrastructures of care produce uneven relations between bodies, landscapes, visibility, and access within sites of regeneration and natural extraction.
— Landscape extraction, conditions and asymmetries of ground: how mass tourism produces uneven access, visibility, and more-than-human relations within neo-colonial structures.
— Infrastructures of care (including Polish sanatoria), places where extraction and regeneration intersect, where preservation can be understood as a form of resistance to standardized capitalist approaches to natural resources.
Pijałka
2026
Prototype of a communal spa drinking cup featuring multiple spouts, for multispecies use. Referencing traditional Polish spa drinking vessels used in sanatoria and mineral water resorts, the object reflects collective rituals of regeneration, healing, and the circulation of bodies around extracted natural resources.
Veillée
stay-up-late evening, 2026
M4 residency, Tetterode
Amsterdam
performance by Pita Kim
in collaboration with Martynas Nikitenka
with technical support from Łukasz Zuber
Inspired by the rhythm of The Fall of the House of Usher by Edgar Allan Poe, Veille unfolds within a former type foundry as a composition of layered temporalities. Interior fragments hidden within the space, recorded sounds of the building, and narratives from long-term inhabitants are set in relation to the material agency of the space. Narratives are reinterpreted through AI prompts and Ouija-board interactions, producing continuous overlaps between past and present.
Typefaces once produced in the building are re-materialised and reconnected through a networked system of wires and responsive devices, reactivated as a communicating sonic medium.
An electrical installation with flickering lights responds to bodies within a field of deconstructed furniture structured around a central chimney, operating as a proto–smart home system. From the chimney, steam and condensation gather on windows, automated curtains rhythmically darken the space, and environmental responses modulate presence, while memory and technology co-construct a shifting temporal field.
*Veillée refers to the French tradition of evening gatherings where listening and storytelling turn the home into a space of dreaming.
2024 was the best year ever for the tourist sector on the Costa del Sol. Here are the figures: 14,47 million visitors – an increase of 3,17% over 2023.
Errancies, 2025
🔗 Download the font .OTF file
Grounded in feminist geography and in dialogue with Rebecca Solnit, the work develops a methodological approach based on walking as research in densely populated beaches on Spain’s Costa del Sol. Moving among bodies under conditions of tourist congestion, GPS-tracked trajectories are translated into typographic characters.
This process operates as a method for reading and investigating spatial pressure within tourist infrastructures. In the places where these paths are produced, photographic material is collected and reworked into postcards depicting scenes in which the body becomes part of the landscape of vision. The resulting font operates as a form of notation derived from field recordings, a corporeal and spatial memory of place.
