An ‘Isla’ embodies a new, yet transformed area. Where all systems are the result of socio-ecological disaster. Those who reach the island are in fact survivors of the wreckage, be it physical, ecological or cultural.
Their dysfunctional remains are the basis for the creation of islands, which are themselves the result of a process of adaptation by the exiles, of separation from civilisation with its legal system, and of phenomena such as climate catastrophe, technological overdevelopment, moral relativism, sociological and urban problems.
Performance, 2018
Biennale nfcdab, Morskie Oko park, Warsaw, Poland
Modern interpretation of painting ’Ofelia’. Reflection on how human
behaviour is influenced by progress of technology. I was interested in
emotions of desire and disappointment, driven by relentless overproduction, exploitation of natural resources and degeneration of
society. In the context of Hamlet’s Ofelia, the figure of the father is
the world creating rules by which we voluntarily live
